Ewa Mazierska (born 1964) is a film critic and reader in contemporary cinema in the Department of Humanities of the University of Central Lancashire.[ Ewa Mazierska – University of Central Lancashire, Department of Humanities] Her publications include various articles in Polish and English and a number of monographs. She also co-edited Relocating Britishness (co-authors: John Walton, Susan Sydney-Smith, and Steven Caunce; Manchester University Press, 2004).
Education:
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1987; Masters in philosophy, Warsaw University, Poland
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1995; Ph.D., Lódz University, Poland
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Film critic Michał Oleszczyk writes she is one of the two Poland-born scholars leading the field of Polish films studies outside Poland (the other one being Marek Haltof).[Michał Oleszczyk, "Reviewed Work: Polish Cinema: A History", Cinéaste, vol. 44, no. 4, 2019, pp.73-75, ]
Selected bibliography
In English
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2003 - From Moscow to Madrid: European Cities, Postmodern Cinema (co-author: Laura Rascaroli)
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2004 - Dreams and Diaries: The Cinema of Nanni Moretti (co-author: Laura Rascaroli)
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2006 - Crossing New Europe: Postmodern Travel and the European Road Movie
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2006 - Women in Polish Cinema (co-author: )
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2007 - Roman Polanski: The Cinema of a Cultural Traveller
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2007 - Polish Postcommunist Cinema: From Pavement Level
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2008 - Larks on a String: Masculinities in Polish and Czech and Slovak Cinema
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2010 - Jerzy Skolimowski: The Cinema of a Nonconformist
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2010 - Nabokov's Cinematic Afterlife
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2017 - Poland Daily: Economy, Work, Consumption and Social Class in Polish Cinema
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2020 - Popular Viennese Electronic Music, 1990-2015: A Cultural History
In Polish
